Photograph printed on Canson Rag Photographique, 2019-21
12 x 12 in.
Edition 1 of 30
Limited edition photographs documenting idle time, essence and incubation in the artist practice.
I brought my painting smock/slip and an untreated canvas with me on one of my lecture trips in Italy. The textiles that take part in my practice usually never leave the studio and their existence in such practice begins when I'm ready to actually paint. What about the time before that? The downtime that takes part in the formulation of ideas. The travel, which for me is one of my biggest elements of inspiration. The beautiful interiors where I rest, brainstorm, write, laugh, love and discover? I photographed my painting materials, before altering their forms, out in nature free from my influence.
Limited editions available for purchase at the sizes specified (sizes vary per photograph). Artist reserves the right to create/save up to 5 Artist Proofs of each photograph.
Standard shipping for US. Items transport in a tube to prevent bending. Contact directly to inquire about international shipping options prior to purchasing.
My conservation recommendation for photography is to frame artwork in museum glass, or at least glass that provides UV protection - especially if artwork is displayed somewhere where it is exposed to sun rays for long periods of time. The idea humidity to store artwork is 40-50% with a temperature between 70-75 degrees Fahrenheit (21-24 degrees Celsius). Severe climates can cause paper warping, yellowing of paper, and mold growth. If artwork is kept unframed in storage it should be rolled, or completely flat, but never folded.